Adesola stands on the right with her head tilted to the side, watching two dancers rehearse. She wear a grey patterned shirt, black trousers and brown ballet shoes. The dancers face each other. The lady on the left plies on her left leg with her right leg tendu back. Her left arm is down to the side, and she looks up to her right arm, raised on a diagonal. The second lady, to her right, tendus her left leg towards her and plies her right leg. She also gazes up towards her right arm, raised in a diagonal. Her left arm is held to the side. They wear black trousers. The first lady wears a long-sleeved black top. The second wears a navy cap sleeve leotard.

Guest choreographer Dr Adesola Akinleye on reclaiming ballet in her work ‘Sycorax’s Tempest’ for our Centenary Insight Days

Guest choreographer Dr Adesola Akinleye on reclaiming ballet in her work ‘Sycorax’s Tempest’ for our Centenary Insight Days Content warning: story includes references to slavery, racism and misogyny. Readers may find themes in this interview sensitive or upsetting, but we feel it is important to share this commentary.   How can ballet be a force for healing and change? Guest

Guest choreographer Dr Adesola Akinleye on reclaiming ballet in her work ‘Sycorax’s Tempest’ for our Centenary Insight Days Read More »

Rex wheeler as lady camden, wearing a light pink tutu and matching pink wig in an elegant updo. She looks into the camera intensely without a smile, her hands framing her face.

100 stories: Rex Wheeler 

100 stories: Rex Wheeler  As part of our centenary year, we are featuring 100 stories that make up The Royal Ballet School’s past, present and future. Today, we share the story of alum, dancer, choreographer and drag queen Rex Wheeler/Lady Camden.  Rex attended White Lodge before graduating from Elmhurst Ballet School. He danced professionally with Slovak National Ballet, Sacramento Ballet and Smuin Contemporary Ballet, where he now choreographs.   Rex discovered drag while living in San Francisco and fell

100 stories: Rex Wheeler  Read More »

1st year students in red tutus and grey unitards pose in a pas de deux demonstration

Chair’s Circle 2026 opens a landmark year of centenary performances 

Chair’s Circle 2026 opens a landmark year of centenary performances  On Wednesday 21 January, our Chair, Natasha Kaplinsky OBE, welcomed a group of our most dedicated supporters to our centenary edition of the annual Chair’s Circle event. This performance is the first of our 2026 season and kicks off our year-long celebrations. Our valued Chair’s Circle supporters enable the School to nurture and train exceptionally gifted young dancers and are vital in securing

Chair’s Circle 2026 opens a landmark year of centenary performances  Read More »

Rishan benjamin wearing an olive green leotard balancing upside-down on her hands with her back arched and legs pointing down to the floor

100 stories: Rishan Benjamin

100 stories: Rishan Benjamin As part of our centenary year, we are featuring 100 stories that make up The Royal Ballet School’s past, present and future. Today, we share the story of alum and Scottish Ballet First Artist, Rishan Benjamin.  Rishan started dancing with the Chance to Dance programme run by the Royal Opera House. She joined the School as a Junior Associate and trained with us through Senior Associates. She

100 stories: Rishan Benjamin Read More »

100 stories: thomas forster mbe

100 stories: Thomas Forster MBE

100 stories: Thomas Forster MBE As part of our centenary year, we are featuring 100 stories that make up The Royal Ballet School’s past, present and future. Today, we share the story of alum, Thomas Forster MBE.  Thomas is a Principal dancer at American Ballet Theatre. He joined The Royal Ballet School first as a Junior Associate then as an Upper School student in 2002. He graduated into

100 stories: Thomas Forster MBE Read More »

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