Alumni spotlight: kate church 

Alumni spotlight: Kate Church 

Kate Church attended the School from 1989-1996 before dancing with various ballet companies, including London City Ballet. She later earned a History of Art degree, worked as a print journalist, and transitioned into film and television, where she now works as a freelance producer and director specialising in arts documentaries. 

We caught up with Kate to discuss her career in film, and her time at the School. 

Can you tell us about your decision to move from dance to a different career path? 

In my early twenties, the dance world was facing challenges like the closure of London City Ballet, where I worked. I decided to take a break and study History of Art at Cambridge, thanks to the encouragement of a teacher at White Lodge. My interests in different art forms, fostered at school, played a big role in shaping my future career.  

In my late twenties, I went back to dancing but mostly for pleasure and with a different mindset than I had when I was a student. Since then, I’ve occasionally emerged from retirement, including being part of a full-length multi-media work, Cassandra, that I co-created for The Royal Ballet with choreographer Ludovic Ondiviela and singer-composer Ana Silvera.  

What did you do after university? 

I began as a print journalist with the Evening Standard, working on features and investigative stories. This experience sparked my interest in documentaries. I also worked briefly on a short film at the National Film and Television School, which introduced me to the camaraderie of film crews, something I loved. 

Tell us about some of the documentaries you’ve made. 

I started on The South Bank Show, which was a dream job, and later went freelance. I’ve worked on arts and culture documentaries, including a South Bank Show on Wayne McGregor, Darceys Ballerina Heroines for BBC2, BBC Young Dancer, Punchdrunk: Behind the Mask for Sky Arts, Peter Sellers: Dark Side of the Goon for Channel 5. My work also includes dance films with choreographer Jonathan Watkins and projects with visual artists like Marina Abramović and Anthony Gormley.  

How did you find the transition to directing? 

Initially, I was intimidated, but I learned that it’s okay to present myself as I am. Being a dancer, I wasn’t used to leading, but I’ve become more confident. My experience choreographing throughout my school days also helped. Over time, I’ve built a supportive network, including a women’s filmmaking collective, which has been invaluable. 

Do you feel a gender imbalance in the industry? 

Yes, there’s still a long way to go. When I started, only about 5% of directors were women. We need more female role models and mentors to inspire confidence in up-and-coming directors and cinematographers.  

What advice would you give to those transitioning into film and television? 

Gain experience in different areas to discover your interests. It’s a tough industry, so resilience is key. You’ll face rejection, especially as a freelancer, so tenacity is essential. 

How are you finding the current climate for commissioning work? 

It’s very challenging, especially with recent industry strikes and changes in broadcasting. However, platforms like Sky Arts continue to seek bold ideas, and I remain hopeful. I am also interested in other genres of documentary and in moving into drama. 

Who inspires you? 

Artists like Francis Bacon and directors such as Jane Campion and Sally Potter have been significant influences through early encounters with their work. In dance, I admire Pina Bausch, Crystal Pite and younger choreographers like Kristen McNally.  

What are some of your fondest memories from the School? 

I have wonderful memories of soirées, choir concerts, and performing in The Nutcracker. My graduation performance as The Betrayed Girl in The Rake’s Progress by Dame Ninette de Valois was a highlight and felt like a real moment of achievement after all the years of training. 

I also loved that there was a sense of meritocracy; everyone came from different backgrounds, and there were students from other countries. It enriched my experience and expanded my understanding of people and different cultures from a young age. 

Are there any passion projects you’re currently working on? 

Yes, some are dance-related, which remains my first love. Another is a film with the incredible arts organisation Bold Tendencies in Peckham that was set up by my old friend Hannah Barry.  I’m also especially interested in stories where art intersects with real life and how it can inspire and bring about positive change. 

How do you define success? 

For me, success is about building meaningful relationships and contributing to society. I strive to maintain integrity and support others in both my professional and personal life.